Facebook | Let’s get Vienna to number 1 on 11th APRIL!

If Rage Against the Machine and Delirious can do it, so can Ultravox!!

Facebook | Let’s get Vienna to number 1 on 11th APRIL!.

Join the Facebook campaign to get Vienna by Ultravox to Number 1 in the UK charts…

If you’re not a Facebook user, you can find out more about the campaign and where to download Vienna here on the Official Ultravox website...

Just to remind you….

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The colour Purple

No post for a few weeks, mainly due to family commitments, work commitments, and stuff like that. However, I’m excited right now. I’m finally going to get some tunes played on an upcoming internet radio show. More details to follow after 10pm (UK time).

In the meantime, you can get hold of all my music for free. See the previous post for details….

Music Licensing

Someone on the Big Chill forum that I occasionally visit wanted some advice about getting his music marketed through a music library and wondered if he had to sign up with MCPS and pay £100 for the privelege. As you may have read on here, I’ve recently signed a non-exclusive agreement with a major UK library, and haven’t had to register with MCPS, so something doesn’t add up if this chap has been told otherwise.

As far as I’m aware, the agreement I signed sorts out pre-clearance for my tracks that the library is offering to film, tv, companies etc. In other words, if a few tv production companies hear of one my tracks on the music library’s website and want to use it, there’s no need to wait ages for them to send me an individual agreement for each programme, for me to check them, sign them and send them back, etc, before anyone can use them.

From what I understand, the music library registers my track with MCPS (they get listed as the publisher), the production company requests a licence from MCPS website giving the catalogue number of my track, and the production company pays MCPS for the licence. MCPS (eventually) sends the licence fee (minus their admin fee) to the music library, which then pays me (minus their take – usually 50%).

If anyone else is looking for advice on signing up with a music licence in the UK, have a look here at the MCPS production music guide, which even shows you the official rate card for different types of production (anything from about £20 to £000s). The music library should be registered with MCPS – if they’re in the UK and not on this list, it’s probably not worth dealing with them.

If anyone from the USA or other countries is reading this and knows something about it in other countries, please let me know.

Signed by a music library

I’ve sort of mentioned this before, but now I can tell all…..

I’ve signed a non-exclusive deal with a major UK music library, called CandyCover, that supplies music to TV, film, and advert production companies. They’ve worked with big players like Orange, O2, Virgin, and the Ministry of Sound. It’s a massive break for me – never had anything like this happen before. They’ve asked to use 8 of my tracks – not my long, instrumental tunes that have been doing the rounds for a couple of years like Never Alone and For All we’ve done, but my more recent ones that are available at Music Freedom. They’re all fairly short and are wanted for the library’s “Art/Quirky/Cult Drama” section. I’ve signed a contract with them and the tracks are going to be registered with MCPS, the official publishing organisation in the UK, which means I get paid the proper rate if any of my tracks get used.

I know that a lot of musicians get tracks signed to music libraries, and the competition is huge

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