Never Let You Go – New Song Out Now

Listen to the new song by mistrust….

“Never Let You Go (For Kathryn B)” is a new song that I’ve written for my amazing wife, Kathryn, to celebrate her birthday.

It’s a lullaby / synthpop song, which is influenced by bands like OMD, Kraftwerk, Human League, and early Depeche Mode.

It’s quite a departure from my dub/downtempo instrumentals and remixes, and has me on lead vocals.

I wrote and recorded loads of “proper” songs in the late 1980s and early 90s, but haven’t done anything like this since then.

After numerous instrumentals, I thought it was time I sat down to see if I could actually write a real song!

I would love to hear what you think of it!

Don’t forget to check out some of my other songs!

Scan below to listen on other devices:

Music Licensing

Someone on the Big Chill forum that I occasionally visit wanted some advice about getting his music marketed through a music library and wondered if he had to sign up with MCPS and pay £100 for the privelege. As you may have read on here, I’ve recently signed a non-exclusive agreement with a major UK library, and haven’t had to register with MCPS, so something doesn’t add up if this chap has been told otherwise.

As far as I’m aware, the agreement I signed sorts out pre-clearance for my tracks that the library is offering to film, tv, companies etc. In other words, if a few tv production companies hear of one my tracks on the music library’s website and want to use it, there’s no need to wait ages for them to send me an individual agreement for each programme, for me to check them, sign them and send them back, etc, before anyone can use them.

From what I understand, the music library registers my track with MCPS (they get listed as the publisher), the production company requests a licence from MCPS website giving the catalogue number of my track, and the production company pays MCPS for the licence. MCPS (eventually) sends the licence fee (minus their admin fee) to the music library, which then pays me (minus their take – usually 50%).

If anyone else is looking for advice on signing up with a music licence in the UK, have a look here at the MCPS production music guide, which even shows you the official rate card for different types of production (anything from about £20 to £000s). The music library should be registered with MCPS – if they’re in the UK and not on this list, it’s probably not worth dealing with them.

If anyone from the USA or other countries is reading this and knows something about it in other countries, please let me know.