I’m closing my Beatstars beat store

Beat store Closing down sale!

Hello Dear Reader!

I’ve taken the difficult decision to close my Beatstars account and store this time next month (April 2021), so all my beats at beatstars.com/mistrust are now available at reduced prices. I no longer have the time to make beats for rappers & producers/artist on a regular basis, hence the decision to close the account.

I’ve found it really difficult to do the promotion to generate any sales or licensing on the platform, in other words, I still haven’t made any sales 🙄.. If any producers, rappers, and artists out there are looking for beats, head over to my beatstars page and get some new beats before I close my beats store for good!!!

Good News!

The good news (for some!) is that I’m continuing to make new music! I’ve just bought an AKAI MPK Mini Play MK3 MIDI keyboard with built-in speakers (check out my unboxing video here), and making some new songs.

Mistrust Music

You can listen to some of my old songs on my main MistrustMusic website, as well as Bandcamp, Soundcloud, and more!

Croydon Library track on O’Neill TV

I’ve just found out that my some of my tracks can still be heard on O’Neill TV – the place that all the promos for O’Neill surfing contest are shown. Three tracks (Croydon Library, Never Alone, and Hello) were used in Deep Blue Open 2005. The thing that sets this film apart from all the regular surfing events is that it focusses mainly on the effects of Tsunami on the Maldives. Watching it again recently reminded me of the devastation of the hurricane in Burma and the earthquake in China. Click the link here to watch the whole film (approx 25 minutes):

O’Neill Deep Blue Open 2005 on O’Neill TV

If you don’t want to sit through the whole thing, here’s a short clip:

The film has been shown all round the world on TV (eg the Fox network in the USA, Channel 4 in the UK) and in all the O’Neill equipment stores. A couple of the clips from the film are on the Video Wall section of my blog – and have received a lot of plays since they were uploaded to Youtube.

I remembered the other day that O’Neill Europe started up a TV channel on their website last year and that the whole of the DBO 2005 film was up there in its entirety. I thought that it might have been replaced by footage of more recent surfing events, but I checked yesterday and it’s still there. It’s a bit tricky to find if you’re searching for it on the O’Neill site as it’s fairly well-hidden behind some of the 2007 events, but it’s there……

New music….

We recently got rid of our old desktop computer at home and replaced it will the Dell Inspiron 1300 laptop/notebook that I bought a couple of years ago. Before we binned it (actually – gave it to Adam – eldest stepson), I had to transfer hundreds of files including loads of half-finished tracks I’d made in Acid Pro over the last few years. I’ve just started listening to some of those tracks and rough arrangements and I really think I can do something with them. Maybe some of them will turn up as new tunes soon. One thing that should finally see the light of day soon is the remix I’ve been working on for the last few months. It’s for a New Zealand band called Pitch Black and the song is “Rude Mechanicals”, the title track of their latest album.

Site changes….

My website schizophrenia has kicked in again and I’ve changed the site theme again (and will probably change it again). I wanted this blog to look fairly original and be able to tie it in with the main mistrustmusic.co.uk site (and my myspace page). Some work ahead to make everything tie up!

Zen and the art of music licensing

Since I licensed my tracks out to O’Neill Europe for the Deep Blue Open dvd, I’ve had a lot of people asking for some advice on how to get their music into film, tv etc. Obviously, I’m no expert, and I had a few people give me some pointers before I signed up with O’Neill, but here are some tips from me from what I’ve learned so far (but don’t blame me if this method doesn’t work!!!)

I was approached by a licensing company for them to use my tracks on an O’Neill surfing dvd and got some info from them about how to get my stuff into more films, etc and was advised to get a showreel together to prove to film makers and post-production people that my music fits in with the sort of thing they’re looking for. One of the best ways to do that is to offer some of your tracks for low/no fee to build up a portfolio. Have a look at some of these for more info:


It’s a site for film jobs – go to the Production Jobs section and check look through all the locations, eg Europe, then the Post-Production links. There’s both paid and lo/no income jobs.


There’s a forum on the site which lists people looking for music for films, mainly lo/no fee


They’ll make all your tracks available for film and tv licensing (for a small fee).


An excellent article about how to get into the film music industry.

Google for things like music licensing companies, “indie movies”, “music wanted” stuff like that. Check out indie movie forums – there’s always indie film makers looking for cheap music and it gets you some footage for your showreel. Contact your local college or uni if they have a film or media school. Have a look on the unsigned band web forum – http://www.unsignedbandweb.com/forum-37.html for people advertising for music. There’s always ads on there. There’s a film makers forum on Myspace.com, too.

Music licensing can be a bit of a closed shop to unsigned artists if film producers have got a massive music budget. They get the best composers and pay a fortune to people like Sony and BMG for tracks. If the budget isn’t so big they want unsigned people like me and you. Usually for lo/no fee. Oh, and it looks good on your music CV if you’ve got film credits, whatever they are.

It’s definitely worth going down the lo/no fee route, just to get known. I’ll pm you with a list of some of the other sites I’ve been on for info. Make sure, though, that you get a proper contract. Well – 2 in fact – a Master Use and a Synchronisation contract.

BTW when you’re dealing with these sort of people – licensing, post-production, etc., be prepared for a very long wait. The company I dealt with over the dvd was actually liaising with about 5 or 6 other companies, so I was the last to know anything. If the bloke said there’s potential, try your music out on the sites I mentioned. Oh, and tell people you’re a film composer, and say so on your website.

You never know – you might get your music used and get paid a lot of money for it.

This article first appeared on my Blogger pages in November 2005. Since the, I’ve learned a lot more….
I’ve now discovered music libraries and production music….more information about how to get into this is at the MCPS website, where you can get a list of the 80 or so libraries in the UK.

I’ve had quite a few more opportunities………….

– Deep Blue Open has been on TV around world and now on O’Neill TV. Clips of this are doing well on Youtube. Click here to have a look….

– Tracks on another O’Neill DVD and surfer biography film

– Requests from various indie/student film makers for use of my music – I was confident enough to say “no” because the deals weren’t right. If I hadn’t done the O’Neill thing, I wouldn’t know about my rights, etc.

– Tracks put forward by licensing company for use in Hollyoaks (UK TV show)

– Signed non-exclusive deal with major UK music library for licensing my tracks to TV, film, advertisements etc. The tracks are now registered with MCPS-PRS.

– Requests from other music libraries to work with them.

Oh, and I’ve actually made some money from all this.

Check out some of my film music at my musicfreedom site.

Disclaimer: the opinions and advice given are just that: opinion. They do not constitute a contract between you and the companies mentioned, nor are they intended as adverts for those listed. Don’t sue me if you don’t get signed!