I’ve tried to write about music-related things recently (when I’ve actually had time to get on the computer!), as that’s what my main interest is. I struggle as a bedroom (or rather, lounge – as in where the tv, sofa, children, wife, etc. live) musician, hoping that my tunes will make it onto some tv or movie blockbuster, so I can invest in some better recording equipment. That may not happen for a while or a long time, so the only way I can seriously get some decent gear is to either steal it (no way), borrow it (who from?), or win it. Which brings me nicely onto the fact that I wrote a blog post a few weeks ago on the new Music Tech Magazine Ning community, saying what a great place the site is. Then a few days ago, I got an email from the site admin people, saying they’d used my blog post in the latest edition of the magazine and I’d won the prize for “Star Letter.” Talk about chuffed. My ramblings published in a major music tech magazine, and winner of Letter of the Month. The prize? A “Rode” studio microphone, complete with all the trimmings. Not bad, eh.
If you’re into music production, music technology, or anything like that, get yourself over to Music Tech Ning and join in….
I’ve been thinking about the number of music hosting sites and MP3 directories that I have my music on. Most of them are free-to-download places where people can just have my tracks for nothing. I started off in late 2004 by choosing just one site – Electromancer.com, which is now no more, just because I lacked confidence about my music and it seemed like a good place to start when I’d never even considered putting my music out to the public. In fact, even though Electromancer closed down last year, a lot of the artists are still active on the forums of another site, Nervejam, and are still as friendly and supportive as ever.
I got a bit more confident after getting some great reviews, thinking that more people might give me a listen, so I followed links and recommendations about other hosting sites, signed up to 2 or 3, and waited for the plays to roll in. Then I started chasing more sites and more plays, until I had tracks on about 1o or 15 sites. I’ve now lost track (and usernames/passwords) of most of those sites, and still get the occasional email from them, saying someone has posted a comment. A quick check on google as to which sites I’m on offers up 94 links for “mistrust music site” and 30 for “never alone mistrust” (my first track from 2004).
I still see the same old faces on all these hosting sites,
Continue reading All the world’s an MP3 stage