Well, I’m certainly getting a lot of hits on here about kids using Facebook. Why’s that then? Dunno, really. Maybe a lot of kids go on it, and a lot of parents either want to monitor what they’re doing on it or don’t want them on it all. I like all this social networking thing. Don’t get me wrong. Think it’s great. Very useful, very now. Can’t see the world going back to a Facebook-less era. However, why are parents still letting their kids as young as six or seven going on Facebook? Why? What reason? Have they forgotten how to talk? Fine – if your relatives are halfway round the world. What about Skype. What about setting up your own family social network on blog thing. Anyway. The debate still goes on and it rankles with me that I still see all my kids’ friends on there. So what are the schools doing about it? Not a lot at the moment, but maybe it’s finally getting through to the schools that something should be done about it. Take this for example. Internet Safety for children. Maybe things will start changing.
So, why am I on Facebook if I’m not happy about young kids being on it? Well, I’ve been in touch with a few people from school, and I’m using it to plug my music. That’s it. That’s all. If you’re on Facebook and want to become a fan of my music, click here and “Become a Fan“. I’m also on Twitter.
The gratuitous plug.
I did a remix for dub band International Observer a while ago. The track is called “Popcorn Slavery (mistrust remix)” and is out on the band’s EP on Monday 22nd February. You can hear previews of it on my Soundcloud and Myspace pages, and it’s available to download from Monday on all major music sites, and the band’s own Bandcamp page. Spread the word.
Here’s the soundcloud player for it….
Just read this article on the BBC News website about how the future of music is changing
“We all know what the alleged future of music will look like. The record industry will be reduced to a smouldering ruin, the album replaced by endless individual songs and music rendered pretty much worthless by the fact that it’s universally free.”
Read more here….
There are more and more musicians – like myself – who are abandoning making a physical product and putting their music out for free. However, I hope that some people are still going to make a record or a CD and that I’ll still be able to go into my local record store and handle a physical product instead of downloading some artwork on to my pc.
I’ve been working on the Pitch Black remix for the last week and a half, but I’m getting quite bogged down with it. The problem is that I’ve been too reliant on sample CDs to find something that fits the existing tune (“Rude Mechanicals”) and not really restricting myself to only a few sounds. I use Acid Pro pretty much all the time for getting ideas down quickly, but it’s too easy to become lost in all the options that it gives you. My attempt at this remix is a bit “directionless” at the moment, and I’m probably doing the wrong thing by listening to remixes of other Pitch Black tracks in order to get some direction. A friend of mine – DJ and musician, The Only Michael – who did a Pitch Black remix a couple of years ago, advised me not to listen to other remixes, and to just do what inspires me from the original track.